“You Can See Everything” has become the talk of the town without risking spoilers. The documentary detailing the life of Elizabeth Holmes, the Theranos founder turned fraudster, drew large crowds to theaters during its opening weekend, raking in over $15 million in ticket sales. This marked the second-highest debut for a non-musical documentary in domestic box office history, trailing only behind the 2004 film “Fahrenheit 9/11.”
Despite its limited release in just 855 theaters across Canada and the U.S., “You Can See Everything” garnered rave reviews post its premiere. It received a stellar 99% fresh rating on Rotten Tomatoes and a 4.8 score on Letterboxd, making it the highest-rated movie in the platform’s history.
The documentary, directed by Nathan Fielder and Lance Oppenheim, follows the 34 days leading up to Elizabeth Holmes’ fraud-related prison sentence. Viewers were captivated by the film, with many expressing awe and excitement. Toronto film critic Teri Hart described the theatrical experience as engaging and immersive, with audiences leaning in, gasping, applauding, and laughing throughout.
The film’s unique premise, coupled with the dynamic between Fielder and Holmes, has been a major draw for audiences. Fielder’s unorthodox interview style, combined with Holmes’ enigmatic persona, created an electrifying on-screen chemistry.
Distributed by A24, known for producing acclaimed films like “The Invite” and “Tony,” “You Can See Everything” has further solidified the company’s reputation for collaborating with visionary filmmakers. Hart praised A24 for its commitment to working with auteurs and directors with distinct artistic visions.
In a cinematic landscape often criticized for lacking innovation, “You Can See Everything” stands out as a thought-provoking and discussion-sparking experience. Hart emphasized the film’s ability to leave viewers pondering questions about truth and reality, fostering a shared sense of curiosity and intrigue among audiences.
As the film continues to spark conversations and draw audiences back to theaters, its impact on the industry and viewers alike is undeniable. The compelling storytelling and unconventional approach of “You Can See Everything” have left a lasting impression on moviegoers, encouraging dialogue and reflection on the complexities of truth and perception.